Mamiya RB67 Review and Sample Photos

Shooting the Medium Format Camera Mamiya RB67

The Mamiya RB67 is a medium format camera that can shoot both 120 and polaroid peel apart film. This is the first time using this camera and so I wanted to give some takeaways and provide a few sample photos from my session. For the photos I used Kodak Porta 400.

Taken with Mamiya RB67 using Kodak Porta 400 Film

Taken with Mamiya RB67 using Kodak Porta 400 Film

For starters, if you’re using this camera then you’re already familiar with film. Also you have to understand that this is a fully manual camera as well, so you must know you’re setting. With film, you get a limited number of shots and it’s on you to know how to read light and set your camera accordingly. Now that we got that out of the way, here’s my mamiyarb67 review.

Before I go on, I’m going to assume that you already know how to use this camera or how it works. If not, you can watch the video below where I show you how my camera’s set up.

Tip #1 Use a Tripod

Using a tripod will really help when shooting with this camera for a variety of reasons, although the main reason is the weight. The mamiya rb67 is heavy and old school. The way the you release the shutter isn’t like a normal 35mm or dslr camera. The slower the shutter speed, the steadier the hand you have to have. Now, if you were shooting with your dslr, I would say you don’t need a tripod because you can manipulate the settings so much easier on digital. Also, you can take a thousand test shots with no consequence. With film…not so much. Being that film is still a fairly expensive process, you really want to take your time and get the most you can get out of each roll. All in all it’ll cost around $30 usd to get everything developed. (that’s buying film and getting it developed)

Taken with Mamiya RB67 using Kodak Porta 400

Taken with Mamiya RB67 using Kodak Porta 400

 

Tip #2 Use a Lightmeter

Remember that film is still an expensive process. With that being said you want to make sure that you get the most bang for your buck. If you’re not great a reading light and knowing your settings, having a light meter is critical, you don’t want to get your filmed developed just to see that you pictures were too over/under exposed. Now if you’re shooting in a bright setting where you’re using fast shutter speeds, having a tripod may not be as critical. Although if you shooting in lower light situations you definitely want to try to get the best light reading possible.

Taken with Mamiya RB67 using Kodak Porta 400 Film

Taken with Mamiya RB67 using Kodak Porta 400 Film

Tip #3 Advance the Film from the Film Back

Here is where I made a bone head mistake and actually exposed the first frame like 5 times because I wasn’t advancing the film the right way. There’s a lever on the camera that you use to reset the shutter, but it doesn’t advance the film. I didn’t know this going in, so those first fews shots were all a wash. After realizing what I was doing wrong, I was able to adjust and get about a total of 9 images all together.

If this is your first time shooting a roll of 120 film take your time and enjoy the process. Shooting film is where it all started for me and most of the old school guys in the game. Yet it’s been making a comeback. I’ve been seeing younger kids shooting 35mm film and the word from the film developer who processed my roll is the younger generation seem to be getting more and more into it. Maybe it’s the look, maybe it’s the feel, but whatever it is, master your craft and explore options that it has to offer you.

Taken with Mamiya RB67 using Kodak Porta 400 Film

Taken with Mamiya RB67 using Kodak Porta 400 Film



Social Media Overwhelm

Social Media Overwhelm

Social Media got you feeling overwhelmed? I know that game all too much. The funny thing about social media is that I was never fully into it. Yeah, I like it, but I wasn’t obsessed like others were then and still to this day.

Either way, social media is now a permanent fixture in our society. It’s a way of life. And just like anything else, it’s a double edged sword. On one hand it’s create countless opportunities for people in a positive sense. Helping others get out their story, helping people get discovered and helping millions of like minded people to connect from anywhere in the world.

But I’m talking business. What about the business side of social media. Is there real money to be made? And if so, how do I get a piece of that? What about promotion? I just listed how social media has helped countless people self promote and get recognized for their talents. So I guess my real question is does it add to your bottom line? Period.

I guess the answer is yes and no. For example, most of my client work is for social media, being that I do a lot of video marketing and promotion. Yet for myself personally, I’ve never landed a deal via social media. Most of my deals all come from face to face interaction. You got to get out there and meet people or at least surround yourself with the type of people that you need to accomplish your goal.

As much as I like social media, I like seeing my work getting published and helping my clients, I sometimes feel like social media is a screaming match. Everyone is trying so hard to get noticed. Algorithms are a pain in the ass and control and ownership is hitting some mercy waters. Especially for freelancers who don’t really know their business. Trust me, that was me for a long while and I’m still trying to figure things out.

My advice is step back, look at your business and see what’s really been working. Where is the money really coming from? and how can I do more of that?



How to Become a Freelance Videographer and Getting Started

From Side Hustle to Full Time Freelancer

Today’s video is all about how to become a freelance Videographer. This is a video I’m making in response to a question that I received in the comments section on a previous video that I did on selling photos using Shutter Stock.

So how did I get started? Well it’s simple, initially I started out like most of you which is by taking pictures. When I first picked up a camera I didn’t plan on making money. All I really wanted to do was take cool pictures. My dad was a photographer (not a professional but just as good) so I guess that the apple doesn’t fall far from the tree.

My journey into video started with photography. My very first side hustles were photo gigs. Gigs of all kinds, from weddings, to sweet sixteens, to family events and portraits, I was doing it. Part of the journey is learning what you don’t like and what you are and aren’t good at. This is where you have to make the decision on what you want to do. I always knew there was potential to turn my side hustle into a full time income, I just didn’t know where to start or have the confidence to really put my work out there.

Pleasantville Boxing Gym 2009 (this series was the real start to my “style”)

Pleasantville Boxing Gym 2009 (this series was the real start to my “style”)

I was good at taking photos, just not so good at the type of photography that made big money. I wish I knew about passive income with stock photography at this time, I would’ve been on that train. Currently I’m uploading to sites like Shutter Stock and Cavan. Either way I found my grove but this occurred years after taking photos and really learning how to master my craft.

My advice to you out there getting started or want to is, just go for it. Start right now, where you’re at, with what you have. Brick by brick.

Be Sure to Listen to the Podcast Below!